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Owner’s Objectives
ARCHIVES 2014 It's been a while since I expressed some of my objectives for the CC . First of all I like and respect everyone that joins our club . I realize that not everyone knows what a CC is all about . Many have different reasons for joining . I really don't know how many of the other clubs are run . They are all different . What I want to emphasize in our CC is that whatever tier you are . That you feel comfortable here , part of a team of players that come here to find conditions that enable them to improve their game , hone their skills , lower their scores ,lower their averages , move up in tiers . Enjoyably and comfortably with the conditions that challenge them enough to keep that drive without the frustrations of regular game play . All that is completely possible by either creating those tourneys yourself or by messaging me about it . Or someone else in your tier that has been creating tourneys . Any kind of information that you need to know should be provided here , any kind of appp , calculator , help , tutorial , tournament , statistic , message , opinion , gripe , compliment , etc , etc . Should able to be aqcuired here ( or in our website , as it may be easier there ). With your help , all of this can be done easily . We already have a good start . I am going to be here for a very long time trying to achieve all this . For any of you that think it's a good direction for your CC to go in . Then lets keep on keepin on . Sincerely , Your Co team member PDB1 , Paul ( sitting here on a rare rainy day ) May the SUN always be with you
POST OF THE WEEK
Re: Where are the Flags ?By Bertasion in Valley of the Sun Casual Club The other day upon the heather fair I hit a flagstick that was not there. I saw it's shadow and heard the clank but where it stood was just a blank. It was not there again today. I wonder when it will come back and stay. Brian
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ON THIS DAY 4 30 2023
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ON THIS DAY 4 30 2023
This Day in History: April 30

George Washington inaugurated
George Washington, the first president of the United States, was inaugurated this day in 1789 in Federal Hall in New York City, addressing his constituency on “the proceedings of a new and free government.”
Featured Event

George Washington inaugurated
George Washington, the first president of the United States, was inaugurated this day in 1789 in Federal Hall in New York City, addressing his constituency on “the proceedings of a new and free government.”
FEATURED BIO
Muddy Waters
American musician

Muddy Waters, byname of McKinley Morganfield, (born April 4, 1913?, near Rolling Fork, Mississippi, U.S.—died April 30, 1983, Westmont, Illinois), dynamic American blues guitarist and singer who played a major role in creating the post-World War II electric blues.
Waters, whose nickname came from his proclivity for playing in a creek as a boy, grew up in the cotton country of the Mississippi Delta, where he was raised principally by his grandmother on the Stovall plantation near Clarksdale, Mississippi. He taught himself to play harmonica as a child and took up guitar at age 17. He eagerly absorbed the classic Delta blues styles of Robert Johnson, Son House, and others while developing a style of his own. As a young man, he drove a tractor on the sharecropped plantation, and on weekends he operated the cabin in which he lived as a “juke house,” where visitors could party and imbibe moonshine whiskey made by Waters. He performed both on his own and in a band, occasionally earning a little money playing at house parties. He was first recorded in 1941, for the U.S. Library of Congress by archivist Alan Lomax, who had come to Mississippi in search of Johnson (who had already died by that time).
In 1943 Waters—like millions of other African Americans in the South who moved to cities in the North and West during the Great Migration from 1916 to 1970—relocated to Chicago. There he began playing clubs and bars on the city’s South and West sides while earning a living working in a paper mill and later driving a truck. In 1944 he bought his first electric guitar, which cut more easily through the noise of crowded bars. He soon broke with country blues by playing electric guitar in a shimmering slide style. In 1946 pianist Sunnyland Slim, another Delta native, helped Waters land a contract with Aristocrat Records, for which he made several unremarkable recordings.
By 1948 Aristocrat had become Chess Records (taking its name from Leonard and Phil Chess, the Polish immigrant brothers who owned and operated it), and Waters was recording a string of hits for it that began with “I Feel Like Going Home” and “I Can’t Be Satisfied.” His early, aggressive, electrically amplified band—including pianist Otis Spann, guitarist Jimmy Rogers, and harmonica virtuoso Little Walter—created closely integrated support for his passionate singing, which featured dramatic shouts, swoops, and falsetto moans. His repertoire, much of which he composed, included lyrics that were mournful (“Blow Wind Blow,” “Trouble No More”), boastful (“Got My Mojo Working,” “I’m Your Hoochie Coochie Man,” and “Mannish Boy”), and frankly sensual (the unusual 15-bar blues “Rock Me”). In the process Waters became the foremost exponent of modern Chicago blues.
Tours of clubs in the South and Midwest in the 1940s and ’50s gave way after 1958 to concert tours of the United States and Europe, including frequent dates at jazz, folk, and blues festivals. Over the years, some of Chicago’s premier blues musicians did stints in Waters’s band, including harmonica players James Cotton and Junior Wells, as well as guitarist Buddy Guy. Toward the end of his career, Waters concentrated on singing and played guitar only occasionally. He was a member of the inaugural class (1980) of the Blues Hall of Fame. A major influence on a variety of rock musicians—most notably the Rolling Stones (who took their name from his song “Rollin’ Stone” and made a pilgrimage to Chess to record)—Waters was inducted into the Rock and Roll Hall of Fame in 1987. Six of his albums earned Grammy Awards, and he received the Grammy for lifetime achievement in 1992.
American musician

Muddy Waters, byname of McKinley Morganfield, (born April 4, 1913?, near Rolling Fork, Mississippi, U.S.—died April 30, 1983, Westmont, Illinois), dynamic American blues guitarist and singer who played a major role in creating the post-World War II electric blues.
Waters, whose nickname came from his proclivity for playing in a creek as a boy, grew up in the cotton country of the Mississippi Delta, where he was raised principally by his grandmother on the Stovall plantation near Clarksdale, Mississippi. He taught himself to play harmonica as a child and took up guitar at age 17. He eagerly absorbed the classic Delta blues styles of Robert Johnson, Son House, and others while developing a style of his own. As a young man, he drove a tractor on the sharecropped plantation, and on weekends he operated the cabin in which he lived as a “juke house,” where visitors could party and imbibe moonshine whiskey made by Waters. He performed both on his own and in a band, occasionally earning a little money playing at house parties. He was first recorded in 1941, for the U.S. Library of Congress by archivist Alan Lomax, who had come to Mississippi in search of Johnson (who had already died by that time).
In 1943 Waters—like millions of other African Americans in the South who moved to cities in the North and West during the Great Migration from 1916 to 1970—relocated to Chicago. There he began playing clubs and bars on the city’s South and West sides while earning a living working in a paper mill and later driving a truck. In 1944 he bought his first electric guitar, which cut more easily through the noise of crowded bars. He soon broke with country blues by playing electric guitar in a shimmering slide style. In 1946 pianist Sunnyland Slim, another Delta native, helped Waters land a contract with Aristocrat Records, for which he made several unremarkable recordings.
By 1948 Aristocrat had become Chess Records (taking its name from Leonard and Phil Chess, the Polish immigrant brothers who owned and operated it), and Waters was recording a string of hits for it that began with “I Feel Like Going Home” and “I Can’t Be Satisfied.” His early, aggressive, electrically amplified band—including pianist Otis Spann, guitarist Jimmy Rogers, and harmonica virtuoso Little Walter—created closely integrated support for his passionate singing, which featured dramatic shouts, swoops, and falsetto moans. His repertoire, much of which he composed, included lyrics that were mournful (“Blow Wind Blow,” “Trouble No More”), boastful (“Got My Mojo Working,” “I’m Your Hoochie Coochie Man,” and “Mannish Boy”), and frankly sensual (the unusual 15-bar blues “Rock Me”). In the process Waters became the foremost exponent of modern Chicago blues.
Tours of clubs in the South and Midwest in the 1940s and ’50s gave way after 1958 to concert tours of the United States and Europe, including frequent dates at jazz, folk, and blues festivals. Over the years, some of Chicago’s premier blues musicians did stints in Waters’s band, including harmonica players James Cotton and Junior Wells, as well as guitarist Buddy Guy. Toward the end of his career, Waters concentrated on singing and played guitar only occasionally. He was a member of the inaugural class (1980) of the Blues Hall of Fame. A major influence on a variety of rock musicians—most notably the Rolling Stones (who took their name from his song “Rollin’ Stone” and made a pilgrimage to Chess to record)—Waters was inducted into the Rock and Roll Hall of Fame in 1987. Six of his albums earned Grammy Awards, and he received the Grammy for lifetime achievement in 1992.

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